Barry Jenkins’ Moonlight is Named Best Picture 2016 by National Society of Film Critics

A film by Barry Jenkins, “Moonlight”, has been named the Best Picture of 2016 by the National Society of Film Critics on Saturday, January 7.

Film info:

The tender, heartbreaking story of a young man’s struggle to find himself, told across three defining chapters in his life as he experiences the ecstasy, pain, and beauty of falling in love, while grappling with his own sexuality. Source: Rotten Tomatoes

Marking the 51st annual meeting of the National Society of Film Critics, the committee is made up of the nation’s top film critics who honor the best films of the year.

See the complete list of winners below:

Best Picture: “Moonlight”
Runners-up: “Manchester by the Sea”; “La La Land”

Best Actor: Casey Affleck, “Manchester by the Sea”
Runners-up: Denzel Washington, “Fences”; Adam Driver, “Paterson”

Best Actress: Isabelle Huppert, “Elle” and “Things to Come”
Runners-up: Annette Bening, “20th Century Women”; Sandra Huller, “Toni Erdmann”

Best Supporting Actor: Mahershala Ali, “Moonlight”
Runners-up: Jeff Bridges, “Hell or High Water”; Michael Shannon, “Nocturnal Animals”

Best Supporting Actress: Michelle Williams, “Manchester by the Sea”
Runners-up: Lily Gladstone, “Certain Women”; Naomie Harris, “Moonlight”

Best Screenplay: Kenneth Lonergan, “Manchester by the Sea”
Runners-up: Barry Jenkins, “Moonlight”; Taylor Sheridan, “Hell or High Water”

Best Cinematography:  James Laxton, “Moonlight”
Runners-up: Linus Sandgren, “La La Land”; Rodrigo Prieto, “Silence”

Best Foreign Film: “Toni Erdmann”
Runners-up: “The Handmaiden,” “Elle” and “Things to Come”

Best Nonfiction Film: “O.J.: Made in America”
Runners-up: “I Am Not Your Negro,” “13th”

Film Heritage Award: Kino Lorber’s five-disc collection “Pioneers of African-American Cinema”

Special citation for a film awaiting American distribution: Cristi Puiu’s “Sieranevada”

 

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3 thoughts

  1. This film is already in danger of being over-hyped. For me, its a tapestry of lyrical moments and finely wrought detail on a journey for self-identity. Films like this do not come up often. Its not an original narrative in the least, but its artistry is in the filming and directing; its a film you savour for its pieces rather than whole.

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